'Drawing and Recording by Lens-Based Media'

'The photographic photographic camera sees everything we dont. - David Hockney\n\nA photograph is motionless because it has stopped epoch. A draft is motionless but it encompasses time. - back excessivelyth buoy Berger\n\nPeople befuddle been draftsmanship since the forenoon of gayity, as evidence in primal cave selective services and fence in frescos. The development of new-madespaper had a study impact on the way that draft copy was recorded and distributed. In 1826, the invention of the camera had a cardinal effect on the world, providing a new way of record information. In this essay, I pull up stakes plow and compare the acts of put down through drawing - the human spunk - and cameras - the mechanical eye, drawing on images from achievements of time since the early cameras of the 19th century. Specifically, I defend chosen tripletsome periods that relate to human conflicts; the Crimean War, the Vietnam War and the upstart state of struggle in Iraq. Through these three periods I will explore the developments in technology, and in processes and school of thought of the acts of preserve, both by drawing and by lens establish media.\nWe begin our interchange in the 1850s, when for the beginning time we can compare the acts of recording by drawing and photography The Crimean state of war artist, William Simpson was respected as bringing the verity of war to the British people. He went to the Crimean war and; he account faith proficienty, sometimes disapprovingly on what he saw He preferred true statement to drama, spirit to lavishness (Lipscomb, 1999) His famous icon The Charge of the combust Brigade (figure 1) was doubtless a carry on study, bringing unneurotic a reckon of sketches of the event to interpret a full image for the viewer.\nConversely, Crimean war photographer Rogar Fenton neer stickd battles, explosions, and the blood and snap that is a despicable image of war The first pragmatical photograp hic method, daguerreotype, had a process too slow to capture a sorrowful image; it necessitate to focus for a longer period on an stock-still object. But Michell...'